Tetuzi Akiyama (Akiyama Tetsuji) (born 13 April 1964) is a Japanese guitarist, violinist, and instrument-maker.
Akiyama formed the improvisation group Madhar in 1987, and the classical ensemble Hikyo String Quintet in 1994 (which also included Taku Sugimoto on cello). In 1995, Akiyama and Sugimoto formed a guitar duo, and played at venues in New York City, Chicago, and Detroit. During this time, Akiyama was also a member of Keiji Haino's Nijiumu outfit. Akiyama also formed Sutekina Tea Time (a duo with Takashi Matsuoka) and Mongoose (a trio with Taku Sugimoto and Utah Kawasaki).
In 1998 Akiyama began organising a monthly concert series, The Improvisation Meeting, with Toshimaru Nakamura. In December 2006 he began a regular duo with Hervé Boghossian (France), they toured in Europe (France, Portugal, Switzerland, England) several times in 2007 (in May, October and December) and also played in Tokyo during Hervé Boghossian Japanese tour in August/September 2008. In 2009 he worked with David Sylvian. (Wikipedia)
Giovanni Di Domenico, pianist, was born in Rome on the 20th July 1977. Majoring in ‘jazz piano’ at music school - he further built on an encyclopaedic technique; rhythm, harmony and tone are informed by non-western traditions yet equally sensitive to Debussy’s “Préludes”, Luciano Berio’s “Sequenzas”, to the ‘ambi-ideation’ heard in Borah Bergman’s Soul Note recordings, Cecil Taylor’s polissemic density, Paul Bley’s bruised transparency and of course, the most radical manifestations stemming from the underworld of pop music, invariably tied together by his own original praxis. A distinction – one would call it generational – he shares with many of the musicians he has crossed paths with recently, of which we could enumerate Nate Wooley, Chris Corsano, Arve Henriksen, Jim O’Rourke, Alexandra Grimal, Tetuzi Akiyama, João Lobo or Toshimaru Nakamura. Di Domenico has founded his own label, Silent Water, home of an eclectic and occasionally unclassifiable production. He lives in Brussels.
"Di Domenico brings a total concept, with ambition and the result is excellent. Influences can be easily found in jazz as in African or Middle-Eastern music as in classical music, often combined, yet all very subtle and very much in its own stylistic universe of intimacy and closeness." - The Free Jazz Collective (Cafe OTO)